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Tuesday, February 28, 2012

02.28 - New Music Box publishes article by Isaac Schankler

Sounds Heard: Anatomy of a Truth-Bender
February 28, 2012 / By

Sounds Heard: Anatomy of a Truth-BenderIt’s easy to understand the appeal of an article like the Wall Street Journal‘s “Anatomy of a Tear-Jerker,” which purports to explain why Adele’s hit song “Someone Like You” makes people cry. Unfortunately, the article is marred by a number of scientific, musical, and aesthetic misconceptions, some glaring and some more subtle.

Saturday, February 25, 2012

02.25 - VRME Bamberger tribute issue now available

Creativity SRIG sponsored Jeanne Bamberger tribute issue of VRME now available.  Message from the editors, S. Alex Ruthman and Gena R. Greher:

At the 2010 meeting of the Creativity SRIG, we were treated to a keynote presentation by eminent music cognition scholar Jeanne Bamberger. For over 40 years, her research and scholarship in the fields of music cognition, music learning, intuition and creativity has had, and continues to have, a profound international impact within and beyond music-related fields.

After her presentation, the Creativity SRIG announced a call for submissions to a special tribute issue of Visions of Research in Music Education (VRME) in honor of Jeanne’s work and career. We are thrilled to announce the publication of that tribute issue as Volume 20  of Visions of Research in Music Education .

We chose to partner with VRME because it is an online, open-access publication. This ensures easy and continued access to this Volume for you, your students and researchers in and outside of music education. Additionally, VRME has a tradition of publishing out-of-print and hard to find historical reprints. Following in that tradition, we are happy to announce the reprinting of one of Jeanne’s seminal essays Developing Musical Structures: Going Beyond the Simples, originally published as a book chapter in a collection honoring the work of David Lewin.

Preparing a special issue such as this could not happen without the many hours of work by many people. First, we’d like to thank VRME Editor, Frank Abrahams, for partnering with us in this project and providing space to share this work with the World. Also, we thank Creativity SRIG Chair-Elect Katy Strand and Past-Chair Thom Priest for their continued advice and support, and to the anonymous reviewers who helped us and the authors shape and clarify work in this special issue.

This special issue of VRME contains 12 feature articles and essays with authors hailing from Australia, Germany, Israel, the UK and the US:

Editorial
Gena R. Greher & Alex Ruthmann - Curiosity, Creativity and Cognition: A Window into Jeanne Bamberger’s Work.

Featured Articles
Howard Gardner - Tribute to Jeanne Bamberger: Pre-eminent Student of Musical Development and Cognition in Our Time.
Gena R. Greher & S. Alex Ruthmann - On Chunking, Simples and Paradoxes: Why Jeanne Bamberger’s Research Matters.
Andrew Brown - Experience Design and Interactive Software in Music Education Research.
Kimberley Lansinger Ankney - Building and Composing upon Musical Knowledge.
Michael P. Downton, Kylie A. Peppler, Adena Portowitz, Jeanne Bamberger, & Eric Lindsay - Composing Pieces for Peace: Using Impromptu to Build Cross-Cultural Awareness.
Jessica Krash - Reminiscence on Studying with Jeanne Bamberger.
Joyce Kouffman - Jeanne Bamberger - Vignettes from 1974-1976.
Wilfred Gruhn - Representations of Music - Neural Foundations and Mental Processes.
Craig Graci - Channeling Bamberger: An Unorthodox Appreciation of Jeanne Bamberger’s work on Musical Development and Musical Understanding.
Elaine Chew - About Time: Strategies of Performance Revealed in Graphs.
Christopher F. Hasty - Learning in Time.
Deborah V. Blair - Do you hear what I hear? Musical Maps and Felt Pathways of Musical Understanding. (a reprint from VRME Volume 11)

Historical Reprint:
Jeanne Bamberger - Developing Musical Structures: Going Beyond the Simples.

Access to these articles and essays may be found at http:www-usr.rider.edu/~vrme .

Tuesday, January 17, 2012

01.17 - UCSB and the Allosphere

Elaine Chew is invited to give an MAT (Media Arts and Technology) seminar on Building Bridges: Creating Sustainable Collaborations Amongst Musicians and Engineers [video] at the University of California, Santa Barbara.


She gets a tour of the Allosphere with JoAnn Kuchera-Morin; and catches up with Curtis Roads and Stephen Pope at dinner.


Her visit is organized by Șӧlen K. DiCicco.

Tuesday, January 10, 2012

01.10 - IPAM Largescale Multimedia Search Workshop

Elaine Chew is an invited speaker at a Institute for Pure and Applied Mathematics (IPAM) Largescale Multimedia Search Workshop that takes place January 9-13 at the University of California, Los Angeles. She represents the Music Information Retrieval community with Juan Bello, Laurent Daudet, and Malcolm Slaney, and gives a talk on Music Structure and Prosody.

Friday, June 17, 2011

06.17 - Intl Conf on Mathematics & Computation in Music @ Ircam

Members of MuCoaCo attended the MCM (Mathematics and Computation in Music) meeting held at Ircam (Institut de Recherche et Coordination Acoustique/Musique) this week.


MuCoaCo alum, Anja Volk, and Aline Honingh co-hosted a panel on "Bridging the Gap: Computational and Mathematical Approaches in Music Research."


On the first evening was a dialog with Pierre Boulez and Alain Connes coordinated by Gérard Assayag at Ircam's Espace de Projection.


We had a group picture with Gérard in the Ircam corridor. From left to right: Isaac Schankler, Anna Huang, Gérard Assayag, Anja Volk, Elaine Chew, Jordan Smith, Aline Honingh.


Isaac and Jordan presented a paper on "Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations" and Isaac gave a demonstration of Mimi on the final day of the conference.  The paper is described in this earlier post.

Sunday, May 22, 2011

05.22 - Light and Power reviews

Isaac Schankler's chamber opera, Light and Power, was recently reviewed in Miss Music Nerd and the Boston Musical-Intelligencer, which wrote:

Schankler’s music is extraordinarily eclectic--where traditional operatic roles may have themes or motifs associated with characters, Schankler attached entire musical idioms to them... All of the music was masterfully composed.


Congratulations to all the performers and crew!

Tuesday, May 17, 2011

05.19 - Light & Power!

The Juventas New Music Ensemble premieres Isaac Schankler's opera, Light & Power, billed as "a Nikola Tesla World Premiere Opera" and "a Tesla/Edison story" (libretto by Jillian Burcar), in Cambridge, Massachusetts.

The Cambridge YMCA Theater
820  Massachusetts Ave
Cambridge, MA 02139

Thu, May 19, at 8 pm | Fri, May 20, at 8 pm
Sat, May 21, at 8 pm | Sun, May 22, at 2 pm

More details here.